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The Writings of Guy Bensusan
Editor's Note: Many of
Guy Bensusan's articles were unpublished at the time of his death.
Others are awaiting editorial assistance to integrate themes from
personal dialogs, list servs, notes, and unfinished works. His
stories distill the essence of his explorations and ideas about
learning. He encourages us to adapt and experiment with his ideas
rather than imitate them.
What I offer is not a foolproof chart,
it is my personal blueprint. It comes from a professor trained in
history and experienced in teaching humanities, arts and culture
courses.
...
I do not offer my path as one to be
imitated. Only I can be Guy Bensusan. Rather, I hope that the
ideas, principles and tactics described will be considered, molded
and adapted, adjusted and modified by each navigator to his or her
own specific desires, locations, areas, needs and goals. I
sincerely hope they will be useful as springboards for
experimentation.
Cyber-Charro and Quixote
Guy Bensusan
In the waning weeks of 1996, I met
Mexico's Virtual University president, Carlos Cruz. He spoke at
a major conference in San Francisco, where three university
presidents from Canada, the USA and Mexico talked on Institutional
Imperatives for Distance Education. Among the many significant
ideas and outlooks, I was especially impressed with a visual that
Carlos showed us: an astronaut in extra-terrestrial regalia astride
an Arabian horse. The man was labeled "Electronic
Technology" and the horse was tagged as "Educational
Models." The audience laughed heartily at this highly Hispanic
contrast between possibilities and current realities in
education.
While I appreciated Carlos' apparent
tactic with that photograph, a different dichotomy began to occur
to me. I perceived the horse as a vehicle representing an
antiquated teaching methodology, while the human as astronaut was
fully equipped with the most up-to-date tools for innovation and
futurism. Wow! What an image! How flattering this is to us
professors. We are instantly dubbed as competent, avant-garde human
beings unfortunately forced to work under onerous and obsolete
conditions, outdated regulations and outmoded equipment.
But is it accurate? Or is it flattery for the
professoriate? Does this vision truly portray our predicament? The
idea intrigues. What, in truth, are the roadblocks we face? What
prevents us from engaging in the vital shift from teaching to
learning? Is it our university system? Our endless penchant for
committees and rules? Our accreditation? State boundaries? Is it
lack of funding for software and library holdings? Is it a
poorly-prepared group of students? Is it preference for research
over teaching? Or a fear of failure? Is it employers, or tradition,
or parents? Is it our rapidly changing demography? Is it
institutional leadership or is it us?
I remember Walt Kelly's Pogo saying, so
long ago, "We have met the enemy and he is us!" Carlos
Cruz's photograph definitely contrasted possibilities with
actualities, opportunities with challenges. My initial modification
of that photo praised faculty while pointing to challenges of the
system. But was my response appropriate? Is it our torpid and
apathetic bureaucracy and our paralyzing piles of policies that
impede the transmutation towards learning?
Are we not actually in the opposite situation?
As professors, are we not blessedly surrounded by a vast cornucopia
of wondrous new tools for communications, data gathering and
information dissemination, and are not many and perhaps most of us
highly-educated doctors of philosophy and education either
incapable of using those implements, uncomfortable with them,
anxious about how to use them, or even afraid of their power?
As I thought about all of this, a new picture
came to my mind -- the flip side of the "Cyber-Charro"
(the silvered astronaut without sombrero, riding a horse) clearly
was a Medieval Knight in armor riding a Space Vehicle. It might
even be Don Quixote attempting to pilot an F-117 Stealth
fighter-bomber across the wild blue yonder. Whee! Whoa! Wait! This
is a different image, and a different picture altogether. What a
change! How unflattering! Now it is the human professor who is
outmoded, archaic and laughable, not the technology. This vision
takes us in a different direction.
The next stride in my musings sprang forth
without delay -- part of my resourceful-teaching technique, no
doubt. Why not put the pictures of Cyber-Charro and Quixote flying
the Stealth side by side? Juxtaposition might show the current
dilemma in higher education by implying an obvious question,
"Where are the problems and opportunities demonstrated here?
Are they coming from innovative teachers and backward systems, from
innovative systems and backward teachers, or simply from the
discrepancy between and among the conditions?"
That was not enough. So I constructed a motion
picture storyboard in my mind of the noble-but-drooping Quixote in
rusty armor coaxing his nag Rosinante across the rainless plains of
Spain. A spacecraft zooms by and Quixote looks up. He stares at the
craft as it speeds across the blue. He watches for a long time, and
then looks down at what he is riding, stroking his beard and
thinking about it (cut to close-up of quizzical look), and then
shakes his head incredulously as the camera zooms out.
Riding on to town, he comes to a sign,
"Taller de Reparaciones" (Ye Olde Repaire Shoppe --
Special Sale!!). Dismounting, he leads Rosinante over to the
hitching post, hails the shop boss, and describes with zesty
gestures what he has seen flashing through the sky. The two talk at
length and the shop boss eventually shows him a catalog full of
possibilities. They nod in agreement to a potpourri of equine
upgrades, pushbuttons, whistles, bells, and shiny stuff.
Rosinante is led away into the shop, while
Quixote moves into the patio to wait, feasting on Manchego cheese,
chorizo sausage and Rioja wine while watching dark-eyed damsels
dance. Time passes, and late in the afternoon, with sounds of
Castillian fanfare and castanets, the refurbished Rosinante is led
out and paraded before Don Quixote. He circles his long-time
companion, slowly stroking her silver coat and marveling at the
fiberglass wings, metallic hooves and fancy chrome. He touches the
spikes of her outstanding mane, then he feels the boot-like
stirrups. He looks into the remodeled saddle, now shaped like a
cockpit, with instrument panel and steering mechanism supplanting
the worn leather reins.
The shop boss suggests a trial ride and
Quixote agrees, but Rosinante is now so much taller, that he needs
a collaboration of helpers to get on. He finds that the sitting
space has been diminished, leaving him perplexed. He can climb up
and mount, but he has no room to maneuver, or stow his baggage, and
besides, Rosinante will not respond to his old and familiar
commands. Quixote shouts and kicks his heels, but Rosinante
doesn't feel a thing.
"Perhaps it is the armor," says the
shop boss, "you don't need that any more." Quixote
nods in agreement, hands his helmet and old spear down, then his
beloved shield. This provides more room, but it is still not
enough. Rosinante will not go and the many onlookers who have
gathered are getting impatient. The shop boss says, "You have
to make still more changes! Get rid of the rest of that obsolete
junk! Throw it away!"
"Knowest thou indeed what thou art
asking, oh thou gallant master of crafts? These magnificent pieces
of artisanry from before my birth are the badge and soul of my
vocation. I will lament their loss, and tremble without them. How
can I be a true knight without armor? I am not easy with
this!"
"Come on, old man, we must get along with
it. I have other customers too! Get on down here and take that old
stuff off!" Reluctantly, emotionally, Quixote dismounts and
divests himself of his embossed gauntlets, then his
overlay-decorated arm-sheathes and leg armor, and finally the
engraved breastplate. With a long sigh and a longer face, he hands
them to the shop boss. He turns to Rosinante, who whinnies with
excitement, and looking into her brilliant eyes, he senses a sudden
and uncommon inspiration.
Unburdened and unencumbered, Quixote feels
himself rejuvenated. There is the exhilaration of a new challenge,
and he swings himself up into the silvery saddle with energy and
spirit. He is now a fellow human, no longer a Don. The shop boss,
the workers and bystanders cheer, "Ole!" and Rosinante
responds to the enthusiasm, prancing with her rider to the bravos
and hoorays!
With a salute and benediction, the shop boss
hands Quixote one final item, a stylish, glassy helmet with six
pulsating antennae, tipped in bright colors. Don Quixote bows his
head, blesses his benefactors, and presses the proper buttons to
spur Rosinante to action. With a whoosh, the renovated idealist and
the computerized Clydesdale soar away on their mission to rid the
world of evil, hatred, poverty and ignorance. Curtain closes,
forming the words, THE BEGINNING.
Now, this fairy tale is just that --- a mythic
imagistic impression of what may need to happen if we professors
are to succeed in entering our new transitional age as
forward-looking innovators conducting technology-vehicles
appropriate to the mission of learning for our new age. The old nag
has to be redesigned and refurbished if it is to help us go to new
places with new people. And it is also obvious that the rider
(meaning us) must face up to the need to engage in our own
transformation. It is no surprise. We all know it. It is not the
"whether" that is bothersome; it is the "how."
But where our quixotic metaphor fails us is
that it provides no clue, key or any specific, detailed formula
about the actualities of alteration, conversion, transformation,
metamorphosis or shift we must pursue. Like Quixote, we know there
are many other vehicles. We also know they will be carrying us into
new territory. We further are aware that we should shed outmoded
vestments, gear and our old mental maps, even though we feel safer
with them. Like Columbus, the maps we have are drawn from our
previous experiences. The terra incognita ahead of us have as yet
no maps to guide us, or rather, if there are any, they have not yet
been made available. This only means that exploration is valid for
all of us, each individual can search out the new paths, noting
landmarks, and leaving trails for others. We must explore with open
minds and then draw our own maps, fresh maps that rely on what we
learn as we experience the unknown, uncharted and insufficiently
imagined world of tomorrow.
I have been allowed glimpses of tomorrow. For
the past decade, I have been fortunate to be an early venturer with
two-way video and two-way audio to multiple simultaneous classrooms
in Arizona. Students in courses I conduct are face-to-face in real
time, able to see and discuss our humanistic subject matter with
each other and with me. They interact by electronic mail, chat
groups and other softwares. This distinctive system, NAUNet, on
which I was asked to experiment by offering courses in innovative
ways, has provided a fascinating learning laboratory.
Thanks to the vision and dedication of the
many leaders, to the assistants and colleagues I have been
privileged to work with, to constant encouragement from Mauri
Collins and Elizabeth Perrin, and to thousands of students who
participated in the exploration of new territory, I accumulated
some foundational principles upon which I now build the many
courses I offer on-line.
With foresight and faith, academic leaders of
Northern Arizona University instructed me to teach, to experiment
and learn, to pass on my insights to colleagues and to help in
building the program. A decade later, with seventy courses-worth of
experience, I have accumulated observations and suggestions. The
purpose is to share my learning with other professors and
administrators, to offer some thoughts about helping the learning
process to function better, and to describe some specific methods
that I have seen helpful for learners in the acquisition of
expanded knowledge, validation techniques, context awarenesses and
the ability to continue their own learning after they have left our
classrooms.
What I offer is not a foolproof chart, it is
my personal blueprint. It comes from a professor trained in history
and experienced in teaching humanities, arts and culture courses.
This is not a limiting factor in terms of academic fields, however.
One thing I learned is that teaching is teaching and learning is
learning. All learners must go through a similar process,
regardless of scholarly discipline.
I do not offer my path as one to be imitated.
Only I can be Guy Bensusan. Rather, I hope that the ideas,
principles and tactics described will be considered, molded and
adapted, adjusted and modified by each navigator to his or her own
specific desires, locations, areas, needs and goals. I sincerely
hope they will be useful as springboards for experimentation.
Guy Bensusan © 2000
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